Tuesday, February 24, 2009

Australian Article


THERE'S been a lot of palaver in the press lately about naughty teenagers, particularly irksome gimps in ladies' sunglasses who could use a firm smack on the bottom and a few weeks scrubbing out old people's toilets with a toothbrush. The daily rags are, as ever, asking po-faced and probing questions. Who's looking after the youth of today? Who's responsible for their wellbeing? What on earth do they get up to when we're not looking?
If the tabloid press and A Current Affair's Leila McKinnon are seeking answers (although let's be honest - they've most likely moved on to trying to hunt down someone who once served Heath Ledger a sandwich), they'll need to look no further than SBS' mind-jarringly brilliant new series Skins, which is languidly throwing its weight all over Monday-night viewing with its dirty, damp wantonness. Sitting through an hour of it is like being trapped in a 14-year-old girl's gym bag with a fork stuck in your ribs, and it's utterly stupendous.
This week's episode announced itself from the get-go, opening with a close-up of a rather aggressively taut teenage boner, straining against a pair of tight underpants. Following not far behind this vaguely confronting shot was an ecstasy-fuelled party, a young man urinating in his own face, a drug-dealing eight-year-old, an infant being dropped on its head, and an erection that had to be sellotaped to a poor gentleman's leg "for safety reasons".
I don't know how the producers get away with it. I once wrote an episode of television in which the characters weren't allowed to have a sip of wine when they were depressed lest they came across as desperate and haggard soaks numbing their woes with demon liquor.
How wonderfully far we've come.
Each episode of Skins - and there are sadly too few - is driven by a different cast member in the ensemble.
Monday was the abandoned wild-child Chris, who staggered through the episode with pupils like saucers and did some things with goldfish and Viagra that don't bear further discussion. Nicholas Hoult, once seen knocking about with Hugh Grant in About a Boy, plays Tony, who started the series with a cheery episode about pot dealing and crashing posh parties. Back in his anklebiter days he sported a bowl haircut and a diastema you could park a semi between. These days the only words appropriate for his cut-glass cocky cheekbones and rampant spreading of seed seem to be "my, how he's grown". I don't know whether to march him to the principal's office for a firm talking to or smother him in Nutella and instruct him to dance to Dr John.


Skins has heart, though. Look past the mildly startling moments and it's beautiful and sad and poignant and perfectly hurtful. One moment you're awash with tears over poor Chris being abandoned by his mad mother, the next you're hearing in lurid detail about the not uninteresting phenomenon of camel-toes while a roomful of surly adolescents in oversized denim pants knock back shots of tequila. It's drama that's edgy, funny and rude, and there should be a lot more of it made, particularly here in Australia. Do we really need another sea-police-in-space shouty commercial series involving furrow-browed Lisa McCunes striding about in jumpsuits?
For all that, I don't know if teenagers in real life watch Skins. I don't know if they should watch it. They're better off sitting on the couch eating Burger Rings and masturbating sullenly, or whatever it is young folk get up to when they're not downloading Grinspoon songs off iTunes. At best, they'd realise through the word-perfect portrayal of their lives and dealings that someone was on to them; at worst they'd find all sorts of Rather Inappropriate behaviour to emulate. It's a series for adults, particularly those who might have somewhat of a chequered moral past themselves.
Harmony Korine briefly explored the seamier side of adolescence when he wrote the film Kids (aged 19, the talented bastard). Now it's Britain's turn. Skins is bleak and rub-raw and so openly sexual you can practically hear the saliva being transferred from mouth to mouth by the zesty bucketload every time someone scores a pash. These teenagers are getting laid, and throwing outrageously irresponsible shindigs, and employing the sort of language that would get one asked rather firmly to leave a reputable dining establishment, and thusly I can't wait to watch next week.
It's either that or hang around the local high school trying to ingratiate myself with the kidlettes, and I fear the law enforcement officers have already warned me off that particular pastime with a series of increasing fines and one or two court appearances.
Look, Skins is simply the best thing I've seen on television in a very long time.
I can't say anything more than that. Watch it or go comb MySpace looking for reasons as to why your wayward teen invited 3000 of his closest pals over to drink your cabernet and wee in your golf bag.

http://www.theage.com.au/news/tv--radio/marieke-hardy/2008/01/29/1201369132138.html

Issues In 'Skins'*

http://www.youtube.com/watch?v=XWcpkNbIJZg

Cultural Influences of 'Skins'

The programme has given rise to the term 'skins party', referring to a debauched night of heavy drinking and recreational drug use.
During the 2007 Easter holiday a girl in County Durham threw a house party; it was advertised on her MySpace profile as a "Skins Unofficial Party," referring to the party in the first episode, with the subtitle "Let's trash the average family-sized house disco party". 200 people turned up, breaking into the house and causing over £20,000 of seemingly deliberate damage. She alleges that her account was hacked and someone else placed the ad.
Similar incidents have taken place in the Republic of Ireland, with major household damage and theft of personal property being reported in Firhouse and Foxrock. Although these attacks have not been conclusively linked to the show, news outlets have reported that they are called Skins parties.
Club nights marketed as 'Skins Secret Parties' have also taken shape in Leicester. Following this, a series of parties were run by Company Pictures in spring 2008.

http://en.wikipedia.org/wiki/Skins_(TV_series)

Last Night's Television: Still crazy after all those beers - The Independent Article

Though it often feels as if all of television is aimed at people under the age of 21, in some respects the "youth" audience – a laughably prissy phrase – can feel with some justice that it's badly served.

Youth culture as a whole works by antithesis, setting itself against an older generation's idea of fun; but youth TV rarely has the nerve to do that. It has advertisers to please, licence-fee payers to avoid offending, watchdogs and editorial boards with their own axes to grind; and so it ends up trying to broaden its appeal, to show that young folk are as human as anybody else, which I'm not entirely convinced is the case. Proper youth programming, which dares to reject and even insult the values of parents, is a real rarity: a show such as Janet Street-Porter's Network 7, for example, back in the late Eighties, settled for being irritating (stupid camera angles, unnecessarily scrappy editing) instead of genuinely rejectionist.

So there's this much to be said for Skins, the smart soap about Bristol sixth-formers: it really doesn't seem to care how much it hacks parents off. For this third series, all the original stars have been shucked off to university and jobs, leaving the way clear for a new generation of bright young things. The only one I recognise from before is Effy (Kaya Scodelario), younger sister of the ineffably cool but brain-damaged Tony, who has now moved centre-stage. Last week showed her arrival at sixth-form college, to meet an assortment of more or less stereotypical characters: the boys include cool, nice-looking but mildly insecure Freddie, insanely hedonistic Cook and geeky JJ; the main girls are slutty Katy, who goes out with a Bristol Rovers reserves footballer, her wallflower identical twin, Emily, mouthy, self-possessed Naomi and ditzy Pandora.

As before, it is slickly made, but I remember the earlier series being more nuanced. What was striking about last week's opening episode was the absolute inadequacy of every single adult character, their complete subordination to comic business. Though the central characters were disappointingly two-dimensional, the adults were barely even points on a map; nobody over the age of 17 was granted anything approaching an inner life, a point of view, sympathy.

This week, things developed a little further. Cook (Jack O'Connell) turned 17 and held a party at his uncle's pub, apparently convinced that the combination of girls, alcohol and lots of shouting were enough to satisfy anybody – the dawning of the realisation that this was actually pretty tedious was the first sign so far that teenagers might have any objectives in life beyond getting a) laid and b) high. It was a bit of a shame that the realisation wasn't put to better use. Instead, the characters ended up trying to score drugs, alcohol and sex at an engagement party that turned out be full of local gangsters, and things descended into watchable but derivative farce (someone fell into a cake, a fight started, et cetera). A later plot segment saw Cook and a reluctant JJ visiting a brothel and discovering the chief gangster (Mackenzie Crook – his scrawny, undernourished physiognomy adding a worrying authenticity) chained up by a dominatrix. Unable to resist the temptation, Cook first humiliated then assaulted the gangster, only realising afterwards that this was probably not good policy.

The impression you got was that this was supposed to be some sort of morality tale, Cook wising up to his crazy ways, learning that there is always a morning after; but the randomness of events and the absence of noticeable motivation made it hard to take it as anything but a comedy trying a tad too hard to show how tough it was. Still, as I say, I'm not its target audience, and it's arguable that if Skins did make sense to me, it wouldn't be doing its job.

Teenage hedonism looked decidedly less glamorous in Vodka, Homework and Me, a documentary about three underage drinkers that was, puzzlingly, broadcast as part of a season called Born Survivors. Call me old-fashioned, but I always thought not drinking at the age of 11 was a survival skill, and drinking was the opposite. The most obviously worrying case was Reece, who is 11, and, according to the commentary, "has been drinking since he was 10" (put that way, it sounded strangely unimpressive). Charlie, 15, was the closest the film got to an episode of Skins: early on, she was seen reeling around drunk, and bubbling over with good cheer, verging on an advert for the mellowing effects of spirits. The two of them were sent off to the Glaciere Project, which tackles drinking through a programme of tall-ship sailing and scuba diving. This is undoubtedly a good thing, but the concentration on positive outcomes rather diluted the programme's shock value, and I think shock is probably a necessary component of any discussion of 11-year-olds regularly going on the piss.

http://www.independent.co.uk/arts-entertainment/tv/reviews/last-nights-television-still-crazy-after-all-those-beers-1520132.html

Wednesday, February 11, 2009

Detailed Proposal

1. Topic Area
TV Drama

2. Proposed title, question, hypothesis

How does a teenage audience respond to the representation of drugs in TV dramas?

3. Teacher approval granted, in principal?
Yes

4. Principle texts (if text based study)
'Skins' season 1
'The OC' season 2 or 3

'90210' season 1, episode 7
'Gossip Girl' season 1
'The Inbetweeners' season 1

5. Reason for choice
I enjoy watching TV dramas, especially those on my list above, and will be able to learn more about the dramas as I research. They all also have very different representations of teenage issues which will be interesting to compare.

6. Academic context for this study (similar research, relevant theory, named theorists)
Jonathan Bignell

Stephen Lacey
Realism
Representation

7. Institutional context for this study (industry focus, other texts for comparison, named practitioners, relevant theory, issues, questions)
Which issues are shown in the dramas? Does this reflect the society they're made in/aimed at?
Which issues are avoided? What does this say about a culture?

Does the representation reflect the audience?

8. Identify the audience context for this study (audience profile, access to audience, potential sample)
The audeince I will be looking at for this is ages between 16 to 19 years old, both male and female. This is quite a small range, but I believe this is the most accessible group for me to use in my research and are most likely to watch the TV shows and have opinions on the representation of teenage issues

9. How will the 4 key concepts be relevant to your study (audience, institution, forms and conventions, representation)?
Audience - I will look at why the audience watches the two dramas and how they feel about the representation with a focus on the uses and gratifications that the dramas provide.

Institution - I will research who makes the shows and how far they are regulated whilst factoring in cultural differences and how this may have affected the production process (eg. budget, profit etc.)

Forms & Conventions - I will look to find any innovative uses of conventions, or indeed any breaking of conventions and how this forms the representations within the dramas.

Representation - I will look closely at how issues are represented and discuss the representation with the audience. I will also look at the ideology of the maker/creator to draw conclusions about why things were chosen, what their effect is and how they are used.

10 Potential research sources (secondary): secondary academic books and websites, secondary industry books and websites, secondary popular criticism. Please identify specific examples you have come across.

'Popular Televison Drama: Critical Perspectives' - Jonathan Bignell & Stephen Lacey
'Television Audiences & Cultural Studies' - David Morely
'Teaching Popular Television' - Mike Clarke
Newspaper articles (posted in separate posts)
Skins website - http://www.e4.com/skins/
Skins at IMDB - http://www.imdb.com/title/tt0840196/
The OC website - http://www.the-oc.com/
The OC at IMDB - http://www.imdb.com/title/tt0362359/

'Teaching TV Drama' - Jeremy Points

11. Potential research sources (primary): audience reception research, your own content/textual analysis etc
Fan forums

Questionnaire
Analysis of chosen texts
Focus group

12. Modifications agreed with your lead teacher
After talking to Ms Dymioti, I'm going to focus on the use of drugs as a teenage issue in the dramas as these are represented (or obviously not represented) in my chosen texts in a different way to the press.

13. Potential limits/obstacles/problems?
Organising focus groups might be hard as episodes are almost 1 hour long and an issue usually spreads across an entire episode. However, I could organise a weekend session.
There is also the risk that I might start writing as more of a fan of the shows...

14. Teacher concerns
TBC

15. Teacher approval
TBC

Initial Ideas Feedback

After talking to Miss B & Mrs T about my two initial proposals on Monday, they suggested that I used my first idea as the second was too specific and would involve a lot of work. Their advice was to use the topic of TV drama and have a range of episodes (UK & US) from teen focused dramas but to focus on crime and it's representation (or lack of) as part of a teenager's issues as my micro focus.

Sunday, February 8, 2009

Initial Idea 2

1. Which topic area is this proposal for?

Crime and the Media

2. What is the suggested focus?

How the perception of crime is challenged through documentaries particularly Louis Theroux

3. Do you have an idea for a question/problematic?

How do documentaries attempt to challenge the public's perception of criminals?

I've found the whole box set on DVD (which solves the accessibility problem) here:
http://www.amazon.co.uk/s/ref=nb_ss_d_h_?url=search-alias%3Ddvd&field-keywords=Louis+Theroux%3A+The+Strange+and+the+Dangerous

4. Why would you choose this?

Louix Theroux does try to challenge perception (especially in 'The Strange And The Dangerous') whereas most broadcasters follow stereotypes and the danger is always removed in the making of the documentary. I think it'd be interesting to see how he does challenge expectations and if he is successful.

5. Do you have any concerns or are there any limitations to this proposal?

None that I can think of right now, maybe just that if I was to use more than one of his documentaries there'd be too much content so I'd have to pick one.
Again, I want to study Law, and there will be topics on criminal law which I will have to study so my findings from this might be relevant for me later.

6. Can you rate it on a sliding scale 1- 5 (5 being great proposal, 0 being lousy proposal)

Err... 4.5

Friday, February 6, 2009

Initial Idea 1

1. Which topic area is this proposal for?

Crime and the Media

2. What is the suggested focus?

How crime is represented in TV drama, specifically 'Skins'

3. Do you have an idea for a question/problematic?

Something like: 'How, in teenage orientated TV drama, is crime represented to the audience?'

Finding specific clips which I can use for analysis would be a problem because one crime usually covers a whole episode.

4. Why would you choose this?

I was originally considering doing TV drama or Crime and this would be a crossover which I am interested in. It is also relevant in today's society as teenage crime is a big issue in the press.
I also want to study Law at uni, so crime will be relevant to my later studies.

5. Do you have any concerns or are there any limitations to this proposal?

I might end up with too much of a fan's view ie. descriptive rather than being analytical

6. Can you rate it on a sliding scale 1- 5 (5 being great proposal, 0 being lousy proposal)

Umm...4ish

Thursday, February 5, 2009

Types of Media I can look at

Some possible types of Media that I can use for examples are:

Film
Music Lyrics
TV Drama
TV News
Print
Games
Music Videos
Internet

Initial Reactions

When I first found out the topics I could research I liked the idea of advertising, crime & the media, children & the media and TV drama. However, I realised the idea of researching children & the media and advertising didn't appeal to me as much as the remaining two options. Crime & the media is the topic which interests me most, and I could link it to TV drama if I wanted to.